Shift: Blood and Earth and Soil Symposium

This Thursday, March 28, join the editors of Shift: Graduate Journal of Visual and Material Culture and the Ph.D. Program in Art History, The Graduate Center, CUNY for the launch symposium of Issue 11, “BLOOD AND EARTH AND SOIL.” Organized Art History PhD candidates Dana Liljegren and Chris Green, the publication and symposium explore how shifting conceptualizations of and claims to land, heritage, and state have been expressed in visual and material culture across time. Participants include Alison Boyd, Alyssa Bralower, Banu Cennetoglu, David Joselit, Seung-Min Lee, Jackson Polys, Elizabeth A. Povinelli, Teresa Retzer, and Siona Wilson.

The event is open to the public, and seating is first-come, first-served. A live stream of the event will be available online at  videostreaming.gc.cuny.edu.

See below for the full conference schedule!

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Faculty Publication: Katherine Manthorne’s “Film and Modern American Art: The Dialogue between Cinema and Painting”

Congratulations to Professor Katherine Manthorne, whose book, Film and Modern American Art: The Dialogue between Cinema and Painting, is now out from Routledge! Dr. Manthorne is Professor of Art History at the Graduate Center, where she focuses on the art of the United States, Latin America, and their Cross-Currents from 1750 to 1950. Continue reading “Faculty Publication: Katherine Manthorne’s “Film and Modern American Art: The Dialogue between Cinema and Painting””

Student News: Gillian Sneed Co-Organizes Panel, “Latin American Women Artists and the Auto-archive c.1970-1985” in Lisbon

On November 8th and 9th, the Graduate Center Art History Ph.D. candidate Gillian Sneed and Madeline Murphy Turner (Ph.D. Candidate, The Institute of Fine Arts, NYU) co-organized the panel “Latin American Women Artists and the Auto-archive c.1970-1985” at the International art and Architecture conference, Rethinking the Past: Memory/Archive/Document held at the Museu Calouste Gulbenkian in Lisbon!

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Tonight: David Joselit on Marcel Duchamp, “The Blind Man,” and New York Dada at the Graduate Center

Join Professor JoselitMary Ann Caws, Thierry de DuveSophie Seita, and Elizabeth Zuba for Marcel Duchamp, The Blind Man, and New York Dada: Institutional Critique and Editorial Practices, an evening of Dada-inspired conversation, with a special focus on New York Dada magazine “The Blind Man, ” edited by Duchamp, Henri-Pierre Roché, and Beatrice Wood in 1917, recently republished in a facsimile edition by Ugly Duckling Presse. Continue reading “Tonight: David Joselit on Marcel Duchamp, “The Blind Man,” and New York Dada at the Graduate Center”

Student News: Rebecca Pollack organizes the conference “Jewish Memory and Culture: 1945-Present,” convening April 12 at the Graduate Center

On April 12,  doctoral candidate Rebecca Pollack is organizing the conference, Jewish Memory and Culture: 1945-Present, co-sponsored by The Center for Jewish Studies at the Graduate Center, CUNY, the Doctoral Students’ Council, CUNY, and the Ph.D. Program in Art History, The Graduate Center, CUNY. 

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