See below for more highlights from CAA 2019!
#GCRoundup: @GC_CUNY #ArtHistory PhD candidate Stephanie Huber gave the paper, “Where the Cinema of Attractions Meets the Easel: Pyke Koch, National Socialist Propaganda & the Nederlandsche Kultuurkamer” @ the “Global Fascism” session at #CAA2019 #PykeKoch #GCatCAA @caavisual pic.twitter.com/urlI561iEE
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #ArtHistory alum & @CUNYkcc Professor Midori Yamamura organized a screening of ‘Kusama-Infinity’ at the @MuseumModernArt and was a discussant with the director, Heather Lenz. @midorifrancia @KusamaMovie #caa2019 #YayoiKusama pic.twitter.com/X3f0CvLtIv
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #ArtHistory alumna Naraelle Hohensee served as Discussant for the session, “Creating a Community of Scholars for a Community of Learners: @Smarthistory as a Platform for the Discipline of Art History” at #CAA2019! #GCatCAA #CAANYC #SmartHistory @naraelle pic.twitter.com/O874ROZsKK
— GC Art History (@GCArtHistory) March 1, 2019
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#CAARoundup: @GC_CUNY alumna and @YaleArtGallery Director Stephanie Wiles served as Discussant on the panel “Strategic Partnerships and the Future of the Academic Museum” at #CAA2019! #museums #museology @caavisual #CAANYC #GCatCAA pic.twitter.com/IHEklV0P4d
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #ArtHistory alumna Caterina Y. Pierre gave the paper, “Transnational Exchange from Münster to Austin: Elisabet Ney, Sculptor” at #CAA2019! #CAANYC @caavisual @caterinapierre #ElisabetNey #NineteenthCenturyArt #NineteenthCenturySculpture #WomenArtists pic.twitter.com/wXiu7SxKuT
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: Roberto C. Ferrari, @GC_CUNY #ArtHistory alum & Curator of Art Properties at @Columbia University, chaired the #CAA2019 session, “Transnationalism and Sculpture in the Long Nineteenth Century” featuring fellow alum @caterinapierre, Professor at @CUNYkcc! @bklynbiblio pic.twitter.com/ofLvu2EWPe
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: The Emerging Scholars of Latin American Art panel at #CAA2019 included @GC_CUNY #ArtHistory alums Alberto McKelligan Hernandez, who presented on women artists and the Mexican Drug War, and moderator Arden Decker! #caanyc #latinamericanart [photo credit: Mya Dosch] pic.twitter.com/zAmt42grsJ
— GC Art History (@GCArtHistory) February 18, 2019
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Congratulations to @GC_CUNY #ArtHistory alumna Ananda Cohen-Aponte, whose article, “Decolonizing the Global Renaissance: A View from the Andes,” won the Association for Latin American Art award for Best Article at #CAA2019! #caanyc #GCatCAA #latinamericanart @caavisual @drnandico pic.twitter.com/Dy5yWTMsMO
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #ArtHistory alumna Mya Dosch gave the presentation, “Information Literacy & Difficult Topics: Aztec Clickbait as Critical Pedagogy” on the panel, “Engaging Difficult Topics In And Out Of The Classroom”! #CAA2019 #caanyc #CriticalPedagogy #InformationLiteracy pic.twitter.com/CCHZtfmwZw
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #ArtHistory PhD candidate Luisa Valle presenting her paper, “Roberto Burle Marx and the Synthesis of the Arts: Local, Global, and Modern” at a special #CAA2019 session at @nyuifa on New Research on Brazilian Art @caavisual #BrazilianArt #LatinAmericanArt pic.twitter.com/mdMJ4TZw0N
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: In his paper at #CAA2019, @GC_CUNY #ArtHistory alum @jonahwesterman interrogates the notion that performance has been tamed by institutionalization. #CAANYC #PerformanceArt #PerformanceInTheMuseum pic.twitter.com/q6aq0U3plD
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #ArtHistory alum @jonahwesterman giving his paper, “From the Institution of Performance to the Performance of Institutions” at the #caa2019 session, “Contemporary Performance Art Research in the Context of Art History and Other Disciplines”! #caanyc #GCatCAA pic.twitter.com/65iIfm0yCl
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY alumna Bertie Ferdman co-chairing the session, “Contemporary Performance Art Research in the Context of Art History and Other Disciplines” at #CAA2019! #CAANYC #GCatCAA #performanceart @caavisual #PerformanceArt #PerformanceHistory pic.twitter.com/2NWZiHbsah
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #arthistory alumna Kerry Greaves chairing the session, “Women Artists in Germany, Scandinavia, and Central Europe, 1880-1960” at #caa2019! #caanyc #GCatCAA #womenartists #modernism #germanart #scandinavianart #centraleuropeanart @caavisual @lapaix0509 pic.twitter.com/OuU5VSrG2U
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #ArtHistory alum and @cooperunion Professor Raffaele Bedarida on “Curating Fascism” at the session, “Fascisms Past in Contemporary Artistic and Curatorial Practice.” #CAA2019 #CAANYC #GCatCAA #FascistArt @caavisual @pataraita pic.twitter.com/Z6SXKF55ZJ
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #arthistory PhD candidate Dana Liljegren on the transformation of African art institutions amid a surge in demand for African objects by collectors. #CAA2019 #CAANYC #GCatCAA #ContemporaryAfricanArt #ArtMarket @caavisual pic.twitter.com/5HUFPrQQDp
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #ArtHistory PhD candidate @GemSharpe on the work of Zahoorul Akhlaq, Naazish Ataullah, Anwar Saeed, & Afshaar Malik—four printmakers on faculty of @NCA_Lahore in the 1980s. #PakistaniArt #ContemporaryArt #printmaking #CAA2019 #CAANYC #GCatCAA @caavisual pic.twitter.com/8Ey2FeSI9f
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #ArtHistory PhD candidate Gemma Sharpe giving her paper, “Radical Revivals: Printmaking in Lahore, c. 1983” in the session, “Haunted: Cross-Historical & Cross-Cultural Specters in Print Practice” at #CAA2019! #GCatCAA @GemSharpe @caavisual #PakistaniArt pic.twitter.com/QU16Yuze89
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #ArtHistory PhD candidate Rebecca Pollack on the four memorials to victims of the Nazi Holocaust in Berlin #monumentality #countermonuments #memorywork #holocaustmemorial #publicart #caa2019 #caanyc #GCatCAA @rebpoll @caavisual pic.twitter.com/akVRSIbSNq
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #ArtHistory PhD candidate Dana Liljegren giving her paper “The Collective/Collection: Contemporary African Art and Its Commercialization” at the session, “Business of Contemporary Art in the Demise of Small or Mid-Size Galleries” at #CAA2019! @caavisual pic.twitter.com/ymSF5nTB1t
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #ArtHistory PhD candidate Erika Nelson Pazian giving her paper, “Immediacy before Immortalization: US Nationalism during the Print Explosion of the Mexican-American War” at the session on American Nationalisms at #caa2019! #caanyc #GCatCAA #AmericanArt pic.twitter.com/rKOKHPrmpI
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #ArtHistory PhD candidate Rebecca Pollack giving her paper, “Berlin’s Counter-Monument Challenge” at the #caa2019 session, “Public Monuments and Sculpture in Postwar Europe”! @caavisual @rebpoll #caanyc #countermonument #publicart #GCatCAA pic.twitter.com/I960IYngn9
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: In the session, “Renaissance Exchanges” at #CAA2019, @GC_CUNY #ArtHistory PhD Candidate Matteo Bellucci gave the paper “Artistic Encounters between Florence and Mughal India: A Case Study of Mughal Parchin Kari” #mughalarchitecture #mughalart #indianart @caavisual pic.twitter.com/NUbXj7H47r
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: Barbara Lane, Professor Emeritus of #ArtHistory at @GC_CUNY chaired the panel, “Patronage and Piety in Fifteenth-Century French and Flemish Altarpieces” & gave the paper, “A Prayer for an Heir: The Role of the Patron in the Portinari Altarpiece” at #caa2019! #caanyc pic.twitter.com/ClUaIKYP3h
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #ArtHistory Professor Emeritus Barbara Lane on the history of the Portinari Altarpiece at #caa2019! #caanyc #GCatCAA #RenaissanceArt #FlemishArt #NorthernRenaissance @caavisual pic.twitter.com/7CPeeDZaBD
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #ArtHistory PhD candidate Alice Walkiewicz on the shifting representations of seamstresses in the Victorian period at #caa2019! #caanyc #GCatCAA #britishart #artandlabor #femalelabor #nineteenthcenturyart @caavisual pic.twitter.com/dJlUAsmYni
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #arthistory PhD candidate Alice Walkiewicz giving her talk, “From Fashioned Isolation to Organized Labor: Social Protest & the Victorian Seamstress” @ the #CAA2019 session, “Exclusion/Isolation: Solitude in the 19th Century”! #caanyc #GCatCAA @caavisual pic.twitter.com/BvAStHb9bJ
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #arthistory PhD candidate Caroline Gillaspie on Francis Guy’s 1797 painting “Tontine Coffee House, N.Y.C” at #CAA2019 @caavisual #caanyc #ecocriticism #coffeetrade #landscapepainting #americanart #eighteenthcenturyart pic.twitter.com/lpWuBd8FZv
— GC Art History (@GCArtHistory) February 18, 2019
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#CAARoundup: @GC_CUNY #arthistory PhD candidate Caroline Gillaspie giving her paper, “Coffee House Slip: Global Trade & Environmental History in Francis Guy’s Tontine Coffee House, NYC” @ the #caa2019 session, “North American Landscapes & Counter-histories”! #caanyc @caavisual pic.twitter.com/g6SqOuHYNs
— GC Art History (@GCArtHistory) February 17, 2019
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#CAARoundup: @GC_CUNY #ArtHistory alumna Lindsay Caplan on the work of Italian artist and designer Enzo Mari at #CAA2019! @caavisual #caanyc #GCatCAA #EnzoMari #designhistory #italianart pic.twitter.com/OW1wcnN7na
— GC Art History (@GCArtHistory) February 17, 2019
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#GCRoundup: @GC_CUNY #arthistory alumna @CaraMJordan on #JosephBeuys and #socialpractice at #CAA2019! @caavisual #caanyc #GCatCAA pic.twitter.com/4Sa9XUswV1
— GC Art History (@GCArtHistory) February 17, 2019
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#CAARoundup: #arthistory PhD candidate @michellemillarfisher on the fraught position of guns within the design canon at #caa2019. #caanyc #GCatCAA @caavisual #designandviolence pic.twitter.com/aIy6KlWGuP
— GC Art History (@GCArtHistory) February 17, 2019
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#CAARoundup: @GC_CUNY #ArtHistory PhD candidate @michellemfisher giving her paper, “‘The Most Fascinating & Well-Designed Artifacts of Our Time’: Collecting & Exhibiting Contemporary Guns in the Art Museum” @ the session, “Beyond ‘Thoughts and Prayers’”@caavisual #caa2019 #caanyc pic.twitter.com/ODh6CcgbAw
— GC Art History (@GCArtHistory) February 17, 2019
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#CAARoundup: @GCArtHistory #arthistory Prof Katherine Manthorne on Elizabeth Ellet’s trailblazing 1859 assessment of women’s art, “Women Artists in All Ages and Countries” #caa2019 #caanyc #gcatcaa #nineteenthcenturyart #americanart #womenartists #elizabethellet pic.twitter.com/kh8I3JnvDq
— GC Art History (@GCArtHistory) February 17, 2019
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