In The Drama Review’s summer 2018 issue, Professor Bishop explores the related phenomena of dance in the museum and new, technologically-mediated modes of attention. Continue reading “Faculty News: Claire Bishop Publishes “Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention””
Published by Zero Books, Made in Brooklyn is a belated critique of the Maker Movement: from its origins in the nineteenth century to its impact on labor and its entanglement in the neoliberal economic model of the tech industry. Continue reading “Student News: Amanda Wasielewski’s Book “Made in Brooklyn: Artists, Hipsters, Makers, Gentrifiers” Coming June 29″
Friday, May 18, Professor Indych-López will speak at the symposium, Art and Culture on the US-Mexico Border: 2,000 Miles of Imagination that Unite and Divide Us, at the Stanford Humanities Center.
Continue reading “Dr. Anna Indych-López to Participate in Symposium on the US-Mexico Border at the Stanford University”
On Friday, April 27, Siwin will give her paper “Becoming Digital, Becoming Textile: Medium and Mediation in the Lives of The Tree,” which draws on her research on abstraction and appropriation in the work of Agnes Martin, Sherrie Levine, Yayoi Kusama, and Bridget Riley. Continue reading “Student News: Doctoral Candidate Siwin Lo to Represent The Graduate Center at the IFA/Frick Symposium”
This evening at 5:30 PM, current students and faculty are invited to our last Rewald Seminar of the semester, “Representing the Welfare State” with Dr. Daniel Abramson, Professor of European and American Architecture at Boston University. Continue reading “Rewald Seminar: Dr. Daniel Abramson on “Representing the Welfare State””
Join Professor Joselit, Mary Ann Caws, Thierry de Duve, Sophie Seita, and Elizabeth Zuba for Marcel Duchamp, The Blind Man, and New York Dada: Institutional Critique and Editorial Practices, an evening of Dada-inspired conversation, with a special focus on New York Dada magazine “The Blind Man, ” edited by Duchamp, Henri-Pierre Roché, and Beatrice Wood in 1917, recently republished in a facsimile edition by Ugly Duckling Presse. Continue reading “Tonight: David Joselit on Marcel Duchamp, “The Blind Man,” and New York Dada at the Graduate Center”
Edited by Graduate Center doctoral candidate Andrianna Campbell and Reed College visiting assistant professor Joanna Fiduccia, apricota is conceived as as an “antidote to the cool remove of many forums for art historical scholarship.” Issue 1 is dedicated to the theme of fights, “from the verbal spat to the gloves-off brawl.” Continue reading “Student News: Andrianna Campbell Co-launches apricota, a New Journal of Modern and Contemporary Art History and Criticism”
On view from March 24 through August 19, 2018, Dr. Manthorne’s exhibition places Newark’s renowned collection of 19th-century landscape painting in dialogue with European alpine painting of the same period. Continue reading “Faculty News: Katherine Manthorne Organizes “The Rockies & The Alps: Bierstadt, Calame, And The Romance Of The Mountains” at the Newark Museum”
